A gold medallist from JJ School of Art and Architecture, Mumbai, Sutar, has to his credit a long list of achievements.
'Gandhi had given the call 'Do or Die'. And with all the leaders arrested, you had to be your own leader.'
'The industry has never accepted me.' 'When I was shooting Aashiqui, I would hear comments like, "Yeh toh bahut lambi hai. Heroine nahin dikhti hai".' 'Aashiqui became such a big hit, and you know how the industry is.' 'You have success, then you have everything.'
Mumbai walls get a makeover courtesy Deadpool fans!
'I have become more comfortable with silences,' says Amol Palekar.
The actor turned 70 on November 24.
Varsha Nair and Vivek Wagh are painting India on whatever canvas is possible.
Aneela Dias and Rekha Goyal, ceramic artists from Sir JJ School of Art, Mumbai are organising one day introductory workshops in the art of clay modelling.\n
The new chief minister will be one of the most closely watched politicians in the country in these media-driven times.
Fadnavis paid tribute at his official residence 'Varsha' to the revered artist.
Bhanu Athaiya on the films she has designed for, how Gandhi happened, and what it means to be a woman in a man's world.
Tejas Mangeshkar tells us how he is creating waves in the realm of design.
'Stop wearing clothes which might be trendy, but doesn't go well with your body type.'
'If you look at my career, I am among that rare species that has always worked in non-mainstream films. And people liked it. As for TRPs, popularity, and 100 crore club, I have never thought about it.' Amol Palekar gets ready for his television comeback.
An oil painting by abstract artist Vasudeo S Gaitonde set a new world record for Indian artwork when it sold for a whopping Rs 29.3 crore ($4.4 million) at a Christie's auction in Mumbai on Tuesday.
'Raza exemplified a sense of warmth and a connectedness to his roots and to Indian earth.'
The facts remain cloaked in mystery, but the legend goes that Talpade had created a flying machine powered by mercury and solar energy, and based on ideas outlined in Vedic texts.
Filmmaker Prakash Jha opens up about his life.
'Smita Patil was the reason I got into films. She kept telling me to get into films but I said I was happy doing theatre, I don't like films. Today, when I look back, I don't think I disliked films. Maybe I thought who would take me in films? I think it was a complex.' Nana Patekar looks back at his life.
'He was believed to finish his own work in an hour and spend the remainder of the time walking from one office to another, sitting down with the harried junior staff and helping them sort out the problems they were working on.'
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