Aseem Chhabra feels Matru Ki Bijlee Ka Mandola starts off on a promising note but falters towards the end.
Comfortable in its capricious skin, the movie -- a tricky and moody tale of a whimsical trio caught in twisted circumstances -- gets even more complicated owing to the impulsiveness of heart.
Director Vishal Bhardwaj talks about Kaminey, and how the word can be an endearment too.
Arthur J Pais on why Indian novels seldom make the transition to the movies.
I remember a showbiz wedding during which guests had to sit through several painstakingly rehearsed but awkward dances performed by the bride's and groom's relatives. When Karan rolled his eyes, I smiled and said to him, 'You started it, now you suffer it.' An enchanting excerpt from Anupama Chopra's A Place In My Heart.
Going behind the scenes with director Mira Nair.
'What guides Monsoon Wedding through and through is Mira Nair's openness as a film-maker,' observes Sreehari Nair.
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