Nanpakal Nerathu Mayakkam is a masterpiece, and like most masterpieces of the cinema, it's a great act of folly, observes Sreehari Nair.
'If questioning and dethroning hierarchies is your primary motive, why not put an end to the practice of announcing your shining star, your box office draw, in big flaming letters and mentioning everyone else's name in small font at the bottom of the screen?' asks Sreehari Nair.
Anukur Pathak feels Rajdhani Express doens't have a plot but pretends to be a racy thriller.
Bad loans continue to originate mainly from state-owned banks, where the top management's responsibility is not linked to career prospects nor has legal consequences, says Debashis Basu.
Ram Rahim did not talk with anyone and was seen roaming in the cell.
Ram Gopal Varma's Veerapan to hit the screens this Friday.
Sreehari Nair is *not* impressed by this lot of films at all.
'There is no way you can view the movie from a distance, from a moral high ground, and get to its core.' 'To truly appreciate what Anurag Kashyap is trying to do here, you may have to lose a part of yourself to it, first,' says Sreehari Nair.
The 16th Mumbai Film Festival had a delicious spread of movies.
India and Indians need to think a little more openly about other states and their problems.
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