You started Pithamagan from a graveyard. Don't producers object such a move? Do they call for the mandatory pujas?
The script demanded such a shot. It was not an ideological statement. I know what I want. It was a story of a vettiyan [cremation ground worker]. I could not have started the film with a temple and a priest [laughs].
Regarding pujas and all, I attend since everyone insists on my presence. But with no involvement.
You made stars out of Vikram and Surya. As their mentor, how do you see their progress?
I won't say that I made them stars or better actors. They came up because they had enormous talent. It won't be fair if I claim their success.
We know that you enjoy a great friendship with both of them. How do you compare them? And there was also a talk that you had a fight with Vikram. Will you work with them again?
There is no need to compare; both are outstanding actors. Vikram is a friend while Suriya is like a brother. Suriya has come a long way while Vikram has already proved his mettle. Unknowingly, there came a gap in Vikram's career. But that is a temporary phase. I guess there is an interesting competition between them. If the script demands, we all will work together again.
Regarding fights, if I pick up one, I am responsible for it. You know, I am short-tempered. So, no need to talk about it.
As a filmmaker, you have shown your strengths. Any shortcomings or limitations when it comes to filmmaking?
[Pauses] I guess a critic can give that answer. But excessive sleeping is becoming a detriment. It is very difficult to wake up early, but no problem in working late in the night. Because of that, sometimes schedules can go astray. Then, I have to rush to finish the rest of the shoot. That can sometimes affect the quality.
Having said that, I won't say sleeping is bad. There's nothing better than a sound sleep.
A scene from Pithamagan