Karan, who began his career as a child artiste, graduated to roles of both villain and hero. After a series of obscure films, he faded into oblivion. Now, he makes a powerful comeback with Kokki, directed by Prabhu Solomon, who has the distinction of being on the list of directors who couldn't deliver a hit despite having Vikram as hero.

The plot is simple, but the screenplay is taut and engrossing. Kokki Samy (Karan), a barber by profession, spends six years in jail for murder. He is now working in a small saloon owned by Subburaju (Malaysia Vasudevan), his foster father. On a fateful day, Uppaliappan (Kota Srinivas Rao), a mafia gang leader, chances upon Kokki instead of his favourite diety. Despite all evidence against him, the court sets the mafia leader free. To talk about it in detail would give away a lot, which would be unfair to the actors as well as the director.

Prabhu Solomon has made good use of Karan's body language and physical energy. This works to the film's advantage as everyone knows that Karan either puts up an immobile face or overacts.

Adding to the film's plus points are its tempo and duration, and Jeevan's cinematography -- which gives the metropolis an earthy look. There's also an absence of comedians to test our patience, making for a different experience.

Sadly, Dhina's loud background score and so-called kuthu songs are a letdown. The surprise packet is Sanjana [Images], a Mumbai import, who emotes well and also has oomph. She is a welcome addition to Kollywood. The only snag in the otherwise well crafted film is the character of Uppaliappan. He is the typical villain with funny smiles and leering looks. Sakthi Kumar, playing a cop, is impressive though.

Bottomline: Kokki is a slick entertainer. Go, watch.

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