Aakhir Kyon? (1985)
Smita Patil did some remarkable work in off-beat films of the mid-1980s -- prominently Kumar Shahni's much praised Tarang, besides Giddh Debshishu and Raavan. But these films barely got a theatrical release and few people saw them. By this time Smita had been inducted into commercial cinema, especially after the success of Ardh Satya and Aaj Ki Awaaz.
J Om Prakash's Aakhir Kyon? is her most significant film from this period.
In Aakhir Kyon?, Smita plays this time the wronged wife. Smita's marriage to Raakesh Roshan crumbles after he has an affair with her cousin, Tina Munim.
Thrown into the world, Smita makes a name for herself as a novelist. She also finds a sympathetic friend in Rajesh Khanna.
But the crux of the story is her reaction when the tables are turned and the balance of power vis-a-vis her husband is in her favour. Yes, once again Smita plays a woman who shakes off the yoke of male patronage and, well, finds herself.
Dushman Na Kare Dost Ne Woh Kaam Kiya Hai -- Smita's well picturised theme song in which she lets fly at her squirming husband and Tina, was very popular.
Aakhir Kyon? showcases a Smita from a later stage of her career with perfect make-up. She looks good and exercises fine control of her expressions; but that characteristic elemental energy seems dammed and tamed even if rightly channelised.
Also read: What is your favourite Smita Patil film?
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