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My brother Hridaynath Mangeshkar's album of Meera bhajans Chala vahi des is an all-time favourite. It's not true that I refused to sing Meera bhajans for others.

I sang Jaidev's Main janoon nahin piya ko milan kaise howe ri in Chand Grahan and Jo tum todo piya in Silsila. I refused to give playback to Gulzar's film on Meerabai. Meera is very close to my heart; I couldn't bear the thought of any actress singing her songs while playing Meerabai.

I also love what my brother made me do in Maya Memsaab and Lekin. There was a ghazal in Lekin, Dil mein lekar, that didn't feature in the film. I love that.

Leaving out anyone isn't my intention. From early beginnings to Veer-Zaara, I have forgotten more than half the songs. It feels good to look back. I had to work hard, but it was worth it. I don't think I sang as well as I should, but yes, I did reasonably well.

When I heard my father singing, or when I hear classical singers like Bade Ghulam Ali Khansaab and Ustad Amir Khansaab, I feel I've achieved nothing. It was in my kundali to achieve success in whatever I did.

Have I been fully satisfied with my songs? No. God has blessed me with a good voice. No one has a voice like mine. But I always feel I can sing better. The closest I came to that feeling was with Chala vahi des for my brother. Or stray film songs like Allah tero naam and Lag jaa gale se. When Ali Akbar Khan played the sarod in Suno chotisi gudiya ki lambi kahani (Seema) or Pannalal Ghosh played the flute in Main piya teri (Basant Bahar), I felt blessed.

I feel every singer should be trained in classical singing. I've always sung as honestly as possible.

Shah Rukh Khan and Preity Zinta in Veer-Zaara

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