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'The first thing that strikes you about her is simplicity'
Ashok Salian

I first met Rekha in 1993. I've been an advertising photographer, but by then I was experimenting with film photography. I had shot all the big names, but had never worked with Rekha. Suddenly, she called me herself, instead of the magazine! She had seen my work and wanted to work with me.

I told her I was too busy, and couldn't come down for the shoot. Advertising was my career, and film shoots were done on the side, after work. But she was adamant, and said she'd come down to the studio! This was unprecedented behaviour from the filmi crowd, and I was intrigued.

She reached my studio at five, on the dot. She has always been punctual, and this professionalism is something the film industry lacks entirely. It is an irresponsible industry, and all the rumours about her lack of professionalism are untrue. There are tales of Amitabh Bachchan, being the thorough professional, but he's always been late for my shoots.

The first thing that strikes you about her is simplicity. Which is a bizarre word to use for someone who has lived a glamorous life. She has never thrown me any attitude.

I was her exclusive photographer from 1993 for the next five years. We shot frequently, often on consecutive days. We'd do about three-four shoots in a month, which is a lot! Most of our sessions were long.

I've have shot several hundred reels of Rekha! After those five years, I took a sabbatical from film photography. I was tired of the people, the unprofessionality, and just thought I could spend my evenings better without them.

Recently, a few years ago, I shot with her again and we just clicked. Nothing has changed between us.

It's wonderful working with someone who loves photography; a lot of film stars treat it like a chore, like its something to get through as soon as possible.

She revels in it, enjoys working at it, and is very inquisitive about the process itself, which makes my job a lot easier. I've never spoken technically with her, so I'm not sure how much she understands it, but I can assure you she understands light -- at least she understands light that will complement a shot. That is no mean feat.

Aesthetically, she's very organised. As we fiddle with the idea of a different 'look', she'll vanish with her makeup bag, play around barely for fifteen minutes, and come back with a completely new look -- which includes makeup, costume, and light. That's phenomenal!

And the energy! She can go on and on. We've often shot up to eight different looks in one evening. At the end, I've often had to yell, "Stop!" because of exhaustion, but she keeps herself switched on so entirely, and completely.

We've all had bad days, but she's so committed. I've worked with her while she's unwell, and the effort she's put into the shoot is just so special.

She's a narcissistic beauty, surely in love with herself. She knows she's gorgeous, she enjoys the attention, and she knows the power of a good still, of looking incredible in a single frame. Most of the others are dismissive of still photographs.

Akshay Kumar is a rare exception, and preens for the lenses a lot like her, he enjoys it. In fact, I always refer to Akshay as the Rekha of the male bastion!

As told to Raja Sen

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