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November 30, 1999
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Who won? Who lost? How and why? Komal Nahta has the answers. In our weekly Box Office column.
It can, at times, be rather difficult to understand our film-makers. They will spend millions on making a film, but will not invest time or effort on the story which, in any light, is the backbone of a film.
What boggles the imagination, though, is the fact that this error can actually be committed by a writer-turned-director like Sanjay Chhel (whose script credits include Rangeela, Yes Boss, Halo, Daud and Kachhe Dhaage). As a result his debut film, Khoobsurat, is sinking fast at the box office.
A rehash of the Hrishikesh Mukherjee classic, Bawarchi, Khoobsurat has nothing original about it; even the title is borrowed from another Mukherjee film (starring Rekha and Rakesh Roshan). Chhel's forte as a writer is comedy and that, believe me, is only good thing about the film.
With an opening of only 40-50 per cent, Khoobsurat can go only one way -- down! Except, of course, in Maharashtra where comedies, as a rule, are patronised.
Chhel's disaster is taking its toll on the film's nubile heroine. Urmila, who's desperately looking for a hit, now has another flop -- after Jaanam Samjha Karo, Kaun, Hum Tum Pe Marte Hain, Mast and Dillagi -- on her hands. All in a row, at that!
The first three weeks's gross collections of Sooraj Barjatya's Hum Saath-Saath Hain in India are a whopping Rs 210 million! No wonder the modern-day Ramayan is becoming the fastest money-spinner of Bollywood ever. In the Bombay territory alone, the film is expected to yield an amount over Rs 100 million.
Wow! Never mind if the film is not poised for a long run, the bank balance's rapid rise will more than make up for it.
Paaji -- on the beach!
Phew! Wonder, where his distributors will head for? Or will they? Their financial losses will run into hundreds of thousands for smaller territories and millions for the bigger ones.
Karisma Kapoor must be thanking her stars for having walked out of Dillagi. She had shot for the film in London, when it was titled London and directed by Gurinder Chaddha (Bhaji On the Beach fame). Perhaps Karisma realised the film would not run and opted out of it soon after Sunny and Gurinder developed problems.
Karsima's loss, then, was Urmila's gain. An equation that, after the film's release, has reversed on its head. Which prompted a smart alec to remark, "The Bhaji On the Beach director would've at least made a better film. Sunny's Dillagi is capable of getting paaji (Dharam paaji) on the beach!"
Kapoors and Deols coming together?
Talking of the Deols, it looks like one more is all set to join Hindi films. Esha, Hema Malini and Dharmendra's eldest daughter, has apparently decided try her luck as an actress. And launching her is none other than Boney Kapoor.
Boney reportedly met Hema Malini and expressed a desire to launch Esha in his next film, a remake of a Telugu super-hit. He is considering Sanjay Kapoor and Aftab Shivdasani (who debuted in Mast) as the male leads in this one-heroine-two-heroes subject.
Wonder what Esha's step-brother and Boney's sworn enemy, Sunny Deol, would have to say to that?
Shahrukh Khan's home production, Phir Bhi Dil Hai Hindustani, which was due for a January 21 release may now be delayed by some weeks. Although people concerned with the film insist that January 21 of the new year is the D-day, it seems more likely that a postponement is on the cards. One gathers this from absolutely inside reports.
A look at the week |
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