Mithun Chakraborty started from scratch in bit roles and had no Godfather backing him. Yet, remarkably, his career now straddles six decades and he continues to win acclaim, observes Dinesh Raheja.

'At one time, I felt being a mother was the ultimate experience, a woman was not complete without it.' 'Now I feel it's not the be all and end all. Motherhood is a part of a jigsaw puzzle; life is the real big picture.'

'My trajectory right now is five steps forward, two steps backwards.'

Mehmood and R D Burman shiver, wail and flail when they encounter a stuffed tiger that wags its tail, furniture that moves on its own volition and dancing skeletons and mummies. Dinesh Raheja revisits a must-watch.

Rehana Sultan was all set to be a path-breaker. The time was right. Hindi cinema had emerged from the 1960s musicals era. But somehow, leading film-makers of the time did not believe Rehana had that cachet. It was Zeenat Aman who ended up being the definitive taboo-trasher of the era. Dinesh Raheja salutes the trendsetter of the 1970s, Rehana Sultan.

'All through the making of Dil Daulat Aur Duniya, Rajesh Khanna never acknowledged me.' 'Dev Anand couldn't carry off a dhoti in Insaaniyat. He told me that he would never wear one again.' 'Shammi Kapoor and I began on an icy note during Raajkumar, but once the cold vibes thawed, we became the best of buddies.'

Salim-Javed became the first Hindi film writers who could be considered brands, and they are still boldface names, celebrities in their own right, chronicles Dinesh Raheja.

As a uniquely multi-hyphenated writer-director-lyricist-author, Gulzar has built a reputation across multiple spheres of film-making and literary creative endeavours. Dinesh Raheja salutes the Master who turns 90 on Sunday.

Raakhee, who turns 77 on August 15, remains an enigma wrapped in a riddle. Dinesh Raheja remembers Raakhee telling him how she loves the rains and how she would drive down to Tulsi Lake in the 1970s and float paper boats in the water. He would like to imagine that Raakhee still does that at her farmhouse.

If there's one thing the full-of-beans star knows, it's how to stay happy, observes Dinesh Raheja.

Forty four years after Mohammed Rafi's untimely demise on July 31, 1980, at the young age of 55, the singer's work continues to enjoy a musical afterlife on radio, television and modern streaming channels.

Dinesh Raheja doffs his hat to the movie legend, who will be honoured with the Dadasaheb Phalke Award this year.

Smita has left behind a rich haul of films that showcase her enormous ability to offer us a glimpse into her soul each time she performed a role.

After repeatedly essaying the role of doomed lover, Dilip Kumar, a thinking actor, found it diffcult to break out of in real life. Heeding his psychoanalyst, he flirted with some frothy roles and played the swashbuckling hero with elan, recalls Dinesh Raheja.

Nimmi, the legendary actress, passed away at her Mumbai home on Wednesday, March 25.

Dinesh Raheja salutes the legend's versatility in her heyday.

Despite a few flaws in the film, Yash Chopra distinguishes himself.

Shakila's seductive performances in the ever-popular club number Babuji Dheere Chalna and the fabulous torch song Hoon Abhi Main Jawaan made filmmakers sit up and notice this new talent.

Love, fear, sadness, and many more, seen through the filmi lens.

'As the burkha-clad beauty Husna in Mere Mehboob, she inspired Shakeel Badayuni to compose Mere Mehboob Tujhe Meri Mohabbat Ki Kasam/Phir Mujhe Un Nargisi Aankhon Ka Sahara De De. Hasrat Jaipuri showered epithets like Nargis-e-Mastaana and Phoolon Ki Rani, Baharon Ki Malika on her in Arzoo.'