Janapada drags on and on

Janapada directed by Baragooru Ramachandrappa deals with a serious issue of globalisation and its impact on art and culture.

Baragooru, well known for his analytical writings in Kannada literature, tries to show how globalisation has resulted in the degeneration of rich folk traditions and neglect of the artists. Unfortunately, though, for him, the film fails to make an impact and an utterly insipid script and weak narration may be to blame for this.                                                              

Trying his hand at a commercial film, Baragooru fails to make use of modern techniques and innovative story-telling methods to drive home the story. The film suffers from slow narration from the very first scene, and the only thing modern and trendy in the film is the handycam that is used by the heroine in her introduction scene. 

The mannerisms of the stereotyped characters is reminiscent of the films of the 'sixties. Also, at many places the film looks like a government documentary.

Janapada tells the story of folk singer Chandranna, who feels that singing and entertaining people is better than any recognition from the government. His singing attracts many people including a city-bred girl who decides to stay in the village to be close to him.

Meanwhile, Chandranna receives an award from the government, which makes him a target of envy. The village head, priest and a rival singer plot to defame the singer by spreading rumours about him.  They even impose a ban on the singer to keep him away from the public. 

But finally all ends well in a defining moment of glory.

Coming to the performances, new hero Raghava tries his best but is handicapped by lengthy dialogues. Even talented artists like Sharath Lohithaswa look ordinary. Glam girl Radhika is wasted while popular television actress Nandini makes a mark.

Technically, too, the film is below par. 

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