Dinesh Raheja
Geeta Bali's dancing eyes and her animated,
expressive face which mirrored her soul were her most outstanding features.
Yet life was snatched away from this vibrant personality at an achingly
young age of 35.
It is some consolation that Geeta crammed a lot into her short life: 70 odd
films in a ten-year career.
She married struggling actor-turned-megastar Shammi Kapoor and mothered two
children: a son and a daughter. Today, she is remembered as a wonderfully
natural actress and a fabulous human being.
Famous songs picturised on Geeta Bali |
Song |
Film |
Singer |
Chup chup khade ho zaroor koi
baat hai |
Badi Bahen |
Lata Mangeshkar |
Sun bairi balam sach bol
re |
Bawre Nain |
Rajkumari |
Chaandni aayee banke pyar o
saajna |
Dulari |
Shamshad Begum |
Tadbeer se bigdi hui taqdeer
bana de |
Baazi |
Geeta Dutt |
Suno gajar kya gaaye |
Baazi |
Geeta Dutt |
Shola jo bhadke |
Albela |
Lata Mangeshkar, Chitalkar |
Bholi soorat dil ke khote |
Albela |
Lata Mangeshkar, Chitalkar |
Chaandni raatein pyar ki
baatein |
Jaal |
Lata Mangeshkar |
Hum pyar mein jalne walon
ko |
Jailor |
Lata Mangeshkar |
Sari sari raat teri yaad
jagaye |
Aji Bas Shukriya |
Lata Mangeshkar |
True, Geeta's reputation as an actress rests more on her performances than
her roles. Natural, spontaneous and gifted with a spot-on sense of comic
timing, she never really found a vehicle worthy of her talent. Largely a
shade better than the movies she starred in, she frittered away her talents
in B-grade films.
Probably the fact that she was born into a family that had to struggle for
sheer survival and the fact that she reached the top through sheer grit had
Geeta stress on quantity rather than quality. Film lore has it that when
mentor [filmmaker] Kidar Sharma first met Geeta, she was living with her
family in somebody's bathroom!
Geeta, who was born Harikirtan Kaur, had done a few small-time dancing roles
in pre-Partition Punjab in films like Badnami, before moving to Mumbai. Impressed by her
off-screen vivacity, Sharma cast Geeta in his Suhaag Raat (1948). Audiences related to her
instantly and watched wide-eyed as she nonchalantly tossed her unconscious
hero, Bharat Bhushan over her shoulder in a scene.
Soon, Geeta was inundated with contracts (that's what they called film
offers then). She accepted most. She won raves even in supporting roles like
in the 1949 Suraiya starrer Badi
Behan and the Madhubala starrer Dulari.
In 1951, she became a major star with Guru Dutt's first hit, Baazi (she went on to do three
other films under his direction). Geeta played gangster's moll with a golden
heart to Kalpana Kartik's conventional heroine. But Geeta played her role
with such gay abandon that hero Dev Anand divulges, "People came repeatedly
to theatres to see Geeta's spirited dancing to Tadbeer se bigdi hui taqdeer bana de.
Geeta proved she could do tragedy (Sharma's Raj Kapoor starrer Bawre Nain) or and play the
lighthearted heroine to comedian Bhagwan in the super successful AlbelaAlbela's swinging C Ramchandra composed songs
like Shola jo bhadke and
Sham dhale mere khidki
tale made front-benchers dance with the stars and even fling
coins on screen.
Pug-nosed Geeta was no conventional beauty, but that transparent face and
that smile constantly flirting on her lips made sure you couldn't tear your
eyes away from her.
Watch Geeta Bali in the Guru Dutt-directed Jaal (1952). Dev Anand, a cigarette-smoking smuggler
on the run from the police, tries to entice morally upstanding heroine Geeta
into his web. Geeta evocatively communicates her struggle against, and her
eventual surrender to, handsome Dev's seduction call Yeh raat, yeh chaandni phir kahan.
Famously down-to-earth despite her star status, Geeta was the antithesis of
the coy 1950s' heroine. She often drove herself to her premieres in an open
jeep. Those who knew her claim she was a Samaritan who touched the lives of
whoever she met. She is said to have personally groomed Mala Sinha, then a
newcomer.
To date, 35 years after her death, her secretary Surinder Kapoor's (Boney
Kapoor's father) productions begin with a shraddhanjali to Geeta Bali.
Shammi Kapoor entered her life when they worked in the quaintly named Miss Coca Cola and Coffee House together. On an
impulse, Geeta played a small role of a man in Sharma's Shammi Kapoor
starrer Rangeen Raatein.
On the film's Ranikhet outdoor, Shammi and Geeta fell in love.
Kapoor was a year younger to her and was not yet a star, but the twosome
were hell bent on marrying each other. Geeta had worked with Shammi's eldest
brother, Raj Kapoor in Bawre
Nain, and with his father, Prithviraj Kapoor in Anand Math, Shammi was unsure
about their reaction to this match.
But on August 23, 1955, with producer-director Hari Walia as witness, the
couple were married at the Banganga Temple at 4 am.
Geeta continued to work after marriage in a few films like Sohrab Modi's
Jailor (1958), where she
won raves as a blind girl. With Shammi Kapoor turning into a huge star and
the birth of her two children Aditya (nicknamed Mickey) and Kanchan, she
eased her workload.
The desire to do that one fulfilling role she would be remembered for
prompted Geeta to attempt the production of a classic for herself. She
started Rano, based on
Rajinder Singh Bedi's famous novel, Ek Chaddar Maili Si, based on a widow's remarriage to her
brother-in-law.
Upcoming star Dharmendra played her hero.
Geeta, who had not been vaccinated for small pox, contacted the dreaded
disease while shooting the film. The best care was rushed to her, but her
fever apparently reached 107 degrees. Her doctor saw a picture by his
patient's bedside and asked who the pretty lady was. The disease had so
wracked Geeta's frail frame that he didn't recognise her as the same person!
Geeta Bali passed away on January 21, 1965, leaving behind eight-year-old
Aditya and three-year-old Kanchan in the care of a devastated Shammi Kapoor.
Ironically, she was cremated in Banganga, not far from where she was
married.
Geeta Bali's Landmark Films
|
Year |
Film |
Hero |
1948 |
Suhaag Raat |
Bharat Bhushan |
1949 |
Badi Bahen |
Pran, Rehman, Suraiya |
1950 |
Bawre Nain |
Raj Kapoor |
1951 |
Baazi |
Dev Anand |
1951 |
Albela |
Bhagwan |
1952 |
Jaal |
Dev Anand |
1955 |
Vachan |
Balraj Sahni |
1958 |
Jailor |
Abhi Bhattacharya |
You might also want to read:
Meena Kumari: The queen of sorrow